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Kenwood: Paintings in the Iveagh Bequest
by Bryant, Julius

 
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  Published Price: £50.00
  Your search has revealed a previous ISBN number: 0300102062
The new ISBN is: 9780300102062
  Previous ISBN: 0300102062
  Published By: Yale University Press
  Publication Date: 19 September 2003
  Format: Hardback, 400pages, 285mm height, 259 illustrations, 145 colour
  Category:  exhibition catalogues and specific collections
Category:  art treatments and subjects
Category:  painting and paintings
Category:  art forms, treatments and subjects
  Availability: This title is ordered upon request, usually dispatched within 3-7 working days
Please note that we cannot guarantee supply if the title is out of print or being reprinted


 
Brief Description
Kenwood House became the home of the Iveagh Bequest, a collection of old master paintings donated by Edward Cecil Guinness, 1st Earl of Iveagh. This title marks the 75th anniversary of the opening of the Iveagh Bequest and is the first new catalogue of the collection to be produced in 50 years.

 
Author Information
Julius Bryant is chief curator at English Heritage.

 
Author Profile
Julius Bryant is chief curator at English Heritage.

 
Julius Bryant 's author page with latest news updates

 
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Synopsis
Set high on a ridge in historic parkland less than five miles from Trafalgar Square, Kenwood is London's favourite "country house". Remodelled by Robert Adam in the 18th century, in 1928 it became the home of the Iveagh Bequest, a superb collection of old master paintings donated by Edward Cecil Guinness, 1st Earl of Iveagh. The collection includes Rembrandt's most celebrated self-portrait, one of only five Vermeers in Britain, Gainsborough's Countess Howe, and classic works by Reynolds, Romney, Lawrence, and Turner. This book is published to mark the 75th anniversary of the opening of the Iveagh Bequest and is the first new catalogue of the collection to be produced in 50 years. It discusses each work, revealing details about the portrait subjects, the social circumstances of each commission, and the way that art met the ambitions of artists, patrons, sitters, and collectors. There are also two introductory essays that provide historical background for the house and for the collecting goals of Lord Iveagh.

 
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